{"id":159601,"date":"2026-03-20T16:20:37","date_gmt":"2026-03-20T19:20:37","guid":{"rendered":"https:\/\/malalivrodeartista.com\/imersao-2026-2\/"},"modified":"2026-05-08T15:18:07","modified_gmt":"2026-05-08T18:18:07","slug":"imersao-2026","status":"publish","type":"page","link":"https:\/\/malalivrodeartista.com\/en\/imersao-2026\/","title":{"rendered":"imersao 2026"},"content":{"rendered":"
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immersion week 2026<\/b><\/h1>\n

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Paulo Silveira's visit<\/strong><\/p>\n

The 2026 immersion week began with a new feature: the visit of Professor Paulo Silveira, from the Federal University of Rio Grande do Sul, for a lecture on artist's books at the M\u00e1rio de Andrade Library, followed by a visit to the 2025 \"crossing\" exhibition. In the morning, we explored some of the library's artist's books, along with the director of the rare books section, Joana Andrade. It was a promising start to the immersion week and the residency.<\/p>\n

the design of the letter<\/strong><\/p>\n

The week was structured around the gesture: the motus<\/em> of letter formation served as a guiding thread. More than considering writing as a coded language, we were interested in the movement that originates it: the stroke, the rhythm, the pressure, the continuity, and the interruptions that give shape to writing even before it is organized as a word.<\/p>\n

In this context, we approached asemic writing as a field of investigation. This was a practice that suspended the conventional meaning of language to explore writing as drawing, as flow, and as a visual and bodily experience. Writing ceased to be merely a vehicle for meaning and became a territory for experimentation, where gesture gained autonomy and presence.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>

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